PRODUCT

16mm F2.0 ED AS UMC CS

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Highly Recommended for those wanting to capture crystal clear images

Samyang 16mm F2.0 ED AS UMC CS is a ultra wide-angle manual focus lens designed for CS / cropped sensors APS-C cameras. The Samyang 16mm is a rectilinear lens, offering superb image quality and low distortion. It is perfectly suited for cropped sensor cameras and for landscape and general photography expecting high quality wide angle lens.

Optical construction is 13 elements in 11 groups, with 1 aspherical lenses, 1 Extra-low Dispersion (ED) element and 1 hybrid aspherical lens. Samyangs UMC Ultra Multi coating ensures superb transmission of light, and minimizes flare and ghosting.

Suitable for both professinal and amateur photographers, the 16mm is for APS-C of DSLR Camera.

The new Samyang 16mm F2.0 accepts 77mm filters and can use ND, polarisers or any filter with a 77mm filter thread The Samyang 16mm features a wide, ribbed manual focus ring which is smooth and well-damped and provides a positive manual focus.

The lens is supplied with front and rear lens caps and soft lens case.

Canon EF and EF-M, Fujifilm X, Panasonic and Micro Four Thirds, Pentax K, Samsung NX, or Sony A and E mount versions.
※ Size and design may vary depending on the mount of a lens


  • Bright F2.0 Aperture

    Guarantees faster shutter speed in low light conditions and adds depth to your pictures by blurring the background.


  • Aspherical Lens

    With minimal spherical aberration and distortion, you can take pictures with incredible precision.



  • Nano Coating System

    The nano-coating system minimizes flare and ghosting effect resulting in crystal clear image quality.


  • Beautiful Bokeh with 8 Aperture Blades

    Featuring 8 rounded blades, it adds an artistic touch to your pictures and creates a sense of soft dimension with incredible bokeh, perfect for out-of-focus portraits and night city landscapes.


  • Smooth Focus Ring

    Smooth focusing ensures precise control and produces images with incredible sharpness, making it the ideal choice for indoor and night shooting.

Technical Information
  • Specifications
    Model Name 16mm F2.0 ED AS UMC CS
    Aperture Range F2.0 ~ 22
    Optical
    Construction
    13 ELEMENTS IN 11 GROUPS
    Minimum
    Focusing Distance
    0.2 m (0.66ft)
    Filter Size 77mm
    Maximum Diameter 83mm
    Mount Canon EF Nikon F Pentax K Sony A Canon M Fujifilm X Samsung NX Sony E MFT
    Angle Of View APS-C 75.9˚ 83.1˚ 83.1˚ 83.1˚ 79.5˚ 83.1˚ 83.1˚ 83.1˚ -
    FOUR-THIRDS - - - - - - - - 67.6˚
    Length 89.4mm 86.9mm 87.9mm 88.9mm 115.3mm 115.7mm 107.9mm 115.4mm 114.2mm
    Weight 585g 570g 575g 575g 615g 615g 605g 615g 610g
    Function A / S / M / P mode (Nikon F)
  • MTF CHART 

  • Optical Construction 

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Samyang’s Guide to Achieving the Optimal Angle of View

The perfect spacing and distance are always necessary when shooting all kinds of subjects, including people, to give them a proper relationship with the beautiful space around them. So, what’s the exact distance that helps you best appreciate a work of art, or a photo?

The correct answer is the diagonal length of the full frame of a subject.

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표준화각 자료 이미지

The best standpoint from which to appreciate the full view of a subject is the distance of the diagonal length of the subject frame. This wider angle is superior to standing closer at a 50 degree angle to get a more detailed view. This notion of an ideal distance or view point is also applicable in the world of photography.

For still images, keeping a distance equal to the diagonal length of the full image surface is recommended. The full frame sensor of a digital camera is 36 x 24mm and the diagonal length is 43.26mm so any distance close to this number is nearer to the ideal than the currently accepted industry standard of 50mm.

Back when film cameras were common, 45mm was the industry standard and this continued as reflex cameras needed extra space to fit a mirror. However, as mirrorless cameras become more popular again, there has been a need to return to this industry standard…which is the impetus for the Samyang AF 45mm F1.8 FE. With less distortion than a 35mm lens and wider angles than a 55mm lens, the Samyang AF 45mm F1.8 FE is a perfect lens for portraits, landscapes, architecture photography, and pictures of pets.

What is Preset Aperture Control Function?

On the Preset Aperture Control function, the aperture blade operates smoothly like a "De-clicked lens", which is advantageous for video recording.
Fujifilm cameras are engineered to control the aperture according to the minimum exposure value(F-stop), so when the camera controls the aperture, it blinks momentarily to set the proper exposure.

AF 75mm F1.8 X intentionally disconnects the communication with the camera body and the lens itself on the Preset Aperture Control function, so it is possible to smoothly adjust the exposure without flickering. ISO and shutter speed are adjusted according to the changed exposure by controlling the aperture, so the exposure value can be changed even with the 1/2 F-stop.

What is Preset Aperture Control Function?

On the Preset Aperture Control function, the aperture blade operates smoothly like a "De-clicked lens", which is advantageous for video recording.
Fujifilm cameras are engineered to control the aperture according to the minimum exposure value(F-stop), so when the camera controls the aperture, it blinks momentarily to set the proper exposure.

AF 75mm F1.8 X intentionally disconnects the communication with the camera body and the lens itself on the Preset Aperture Control function, so it is possible to smoothly adjust the exposure without flickering. ISO and shutter speed are adjusted according to the changed exposure by controlling the aperture, so the exposure value can be changed even with the 1/2 F-stop.

What is Recommended Settings for Preset Aperture Control Function?

The Preset Aperture Control function operates only when shooting video(Movie mode) and the focusing mode of the camera is set to AF mode. Please set the aperture at f/1.8 before switching the "Custom Switch" to "Mode 2. It is recommended to set the "Exposure mode" as A mode (Aperture Priority AE) or M mode (Manual Exposure).

* How to use the “Preset Aperture Control” function?

1) Camera Body Setting
      AF Mode → Video Mode ('A' or 'M' mode) → Set the Aperture @F1.8
(2) Lens Setting
      Switch your "Custom Switch” to “Mode 2(M2)"
(3) Now, you're ready to use the Preset Aperture Control function with your focus ring

What is Recommended Settings for Preset Aperture Control Function?

The Preset Aperture Control function operates only when shooting video(Movie mode) and the focusing mode of the camera is set to AF mode. Please set the aperture at f/1.8 before switching the "Custom Switch" to "Mode 2. It is recommended to set the "Exposure mode" as A mode (Aperture Priority AE) or M mode (Manual Exposure).

* How to use the “Preset Aperture Control” function?

1) Camera Body Setting
      AF Mode → Video Mode ('A' or 'M' mode) → Set the Aperture @F1.8
(2) Lens Setting
      Switch your "Custom Switch” to “Mode 2(M2)"
(3) Now, you're ready to use the Preset Aperture Control function with your focus ring

[What is Dolly Shot? How to Shoot Easily]

[What is Dolly shot?]

A dolly shot, also referred to as a tracking shot or trucking shot, is a camera movement technique used by cinematographers to track and follow a subject in motion. To achieve this, the camera is mounted on a device called a "dolly," which facilitates smooth tracking movement. The dolly can move in front of, behind, or alongside the subject, which can be a person, a location, a product, or any other object of focus in the frame. Through this, you can control the emotional distance between the subject and the viewer by highlighting the audiovisual and dramatic effects.

[How to take a Dolly Shot simply by handheld]

Tip. If the moving distance is long, the camera may shake, so please shoot at a focal length between 35 and 100mm.
1. Stand at a distance of about 1.5 to 2 meters away from the subject.
2. Set the custom switch to MF and Mode 3 and adjust the focal length to about 100mm.
3. After focusing on the subject, set the aperture to F8~16.
4. Slowly turn the zoom ring to the left (towards the wide-angle end) while using your upper body and arms to move the camera toward your subject.
5. Dolly Shot complete!
※ When shooting from a farther distance from the subject, use a cart or gimbal for more stable shooting.

DSLR / Full Frame
1D X Mark Ⅱ
1D X
1Ds Mark Ⅲ
1Ds
5DsR
5Ds
5D Mark Ⅳ
5D Mark Ⅲ
6D Mark Ⅱ
6D
DSLR / APS-H
1D Mark Ⅲ
1D
Mirrorless / APS-C
M6
M5
M10
M3
M2
DSLR / APS-S
7D Mark Ⅱ
7D
80D
70D
60D
30D
D60
D30
77D (9000D)
760D (8000D / Rebel T6s)
1300D (Kiss X80 / Rebel T6)
1200D (Kiss X70 / Rebel T5)
200D (Kiss X9 / Rebel SL2)
800D (Kiss X9i / Rebel T7i)
700D (Kiss X9i / Rebel T7i)
100D (Kiss X7 / Rebel SL1)
650D (Kiss X6i / Rebel T4i)
600D (Kiss X5 / Rebel T3i)
550D (Kiss X4 / Rebel T2i)
500D (Kiss X3 / Rebel T1i)
1000D (Kiss F / Rebel XS)
450D (Kiss X2 / Rebel X냐)
DSLR / Full Frame
D850
D5
D810A
D4S
D810
D750
Df
D610
D4
D800
D800E
D600
D3s
D3x
D700
D3
DSLR / APS-C
D7500
D3400
D500
D5600
D7200
D5500
D3300
D7100
D5300
D5200
D7000
D300s
D300
DSLR / Full Frame
Z6
Z7
D810A
D4S
D750
D810A
DSLR / APS-C
D7200
D500
D3300
D5500
D5600
D3400
D7500

* Cameras released within 5 years from 2019 are tested.

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