PRODUCT

One lens for every scene

The Fast
All-Rounder Zoom

AF 35-150mm F2-2.8 FE

My daughter, who used to be a toddler, started walking around. From that moment, I wanted to make a lens that could capture every precious moment. The focal length of AF 35-150mm F2-2.8 FE, which is used most in everyday life, will allow you to record your beautiful memories with loved ones vividly.

작성자 Product Planner / Jihoon Lee
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The Fast All-Rounder Zoom

Meet Samyang’s next-generation zoom lens!

The Samyang AF 35-150mm F2-2.8 FE has a maximum aperture of F2 at its widest and F2.8 at the telephoto end, which covers the five main focal lengths (35mm/50mm/85mm/135mm/150mm). With its wide zoom range, the lens is designed as a fast all-rounder that covers a broad range of shooting scenarios, from portraits to travel. 

In addition, the excellent optical design of the lens provides superior resolution right to the edge, and the Linear Stepping Motor allows faster and more accurate AF performance.
With the addition of various video-specialized functions, the lens will satisfy both photographers and videographers. Dolly shot mode and Linear MF mode, which can be used with a custom switch, help you shoot more professionally.

Enjoy easier and more convenient photography and video shooting with Samyang AF 35-150mm F2-2.8.







Covering everything between 35mm and 150mm

  • One lens for every scene

    Samyang has moved a step forward with its second zoom lens to provide a more convenient user experience. The lens is remarkably versatile as an all-rounder with a fast maximum aperture and provides solutions for photographers seeking to avoid changing lenses. Whilst primarily designed for portrait photographers, the wide zoom range is also useful for everyone shooting commercials, events and travel imagery.


  • Outstanding Resolution,
    from corner-to-corner

    With the latest optical design using special lenses for 12 out of the 21 total elements(in 18 groups), this lens demonstrates excellent optical performance throughout the zoom ranges from wide-angle to telephoto. When combined with Sony’s full-frame image sensor, the lens delivers superior sharp images from edge to edge. In addition, 'UMC (Ultra Multi-Coating)' technology is applied to minimize flare and ghosting, helping to produce natural and clear images.
    [Optical Construction]


  • Impressive bokeh with a bright
    F2-F2.8 aperture

    A large aperture starting from F2 presents an attractive background blur to the image's out-of-focus areas. The lens effectively separates the subject from the background, using a shallow depth of field to capture a unique image in which the background is compressed. The clear and natural bokeh created by the 9 diaphragm blades makes it possible to capture beautiful night-time cityscapes.


  • Fast and accurate AF performance and Short M.O.D

    The Linear Stepping Motor, which provides high responsiveness and accuracy when shooting photos and videos, is excellent for tracking fast-moving subjects. The lens also offers excellent close-up performance for an all-rounder zoom. With a MOD (Minimum Object Distance) of 0.33m at 35mm and 0.85m at 150mm, you can easily get close-ups with sharp details. Combined with the fast aperture of the lens, the background is beautifully blurred when close to the subject, making the lens even more versatile.


  •  

  • Optimized features for video shooting

    • Enhanced Functionality with the custom switch & button

      Custom switches and buttons allow the user to control the lens completely.

      Custom Switch

      MODE 1 MODE 2 MODE 3
      AF Mode AF Aperture Adjustment -
      MF Mode MF Linear MF Dolly Shot

      *The focusing ring operates as the aperture adjustment and Linear MF functions in MODE 2
      *The mode can be customized via the optional Lens Station
      In Linear MF mode, focus movement is constant regardless of the speed at which the focus ring is turned through its 300° rotation. When using a follow focus, this allows a more precise control.

      Focus Hold Button

      AF Position MF Position
      Focus Hold Focus Save

      [How to use the focus hold button]
      When you press and hold down the "focus hold button" for 3 seconds, the screen blinks and informs you of the saving status. The function allows the users to save focus at any desired position and naturally change focus between two subjects. When you press the button briefly after saving, the focus moves to a saved position.

      Zoom Lock Switch
      A zoom lock switch helps users keep the lens set at its shortest 35mm position, making it more convenient and safe to carry.


    • Easily be a professional videographer

      Dolly Shot
      The MODE 3 in MF position, you can easily take "Dolly Shot", a special effect you see in movies.

      A professional dolly can be expensive and challenging to operate because you have to operate the focus ring and zoom ring simultaneously while changing the distance to the subject. In "Dolly Shot Mode", the focus ring and zoom ring are linked in the system so that users take dolly shot simply to operate the zoom ring.
      [What is Dolly Shot? How to shoot easily]

       

      Digital Par-Focal
      After focusing on the subject in MF mode, the focus doesn’t require adjusting again, even when zoomed in or out. This allows filmmakers to reduce shooting time and allow accurate and stable shooting.

       


    •  

    • Premium and solid design

      • Carry your lens around anywhere

        The 'Hidden Red Ring', which upgraded Samyang's premium design to the next level, makes the lens even more attractive. In addition, by applying a metal barrel, the build quality was improved and the lens was made more robust. Considering the users’ shooting environment, the lens is designed to be weather sealed to prevent damage or contamination from dust, light rain, and snow.


      •  

Technical Information
  • Specifications
    Model Name AF 35-150mm F2-2.8 FE
    Aperture Range Wide Tele
    F2.0 ~ F16 F2.8 ~ F22
    Lens Optical Construction 21 Elements in 18 Groups
    Special Lens ASP 2, H-ASP 1 , HR 3 , ED 6
    Coating UMC
    Minimum Focusing Distance 0.33m (1.08ft) 0.85m (2.79ft)
    Magnification Ratio 0.175x (1:5.7) 0.18x (1:5.5)
    Number of Blades 9
    Filter Size (mm) Φ 82.0
    Maximum Diameter (mm) Φ 92.8
    Mount Sony FE
    Angle of view Full Frame 61.8˚ 16.4˚
    APS-C 43.3˚ 11.0˚
    Length 157.4mm / 6.2in 197.9mm / 7.79in
    Weight (without Lens Cap, Hood) 1,231g / 43.4oz
    Weather Sealing O
    AF/MF mode switch O
    AF Motor Linear STM
  • ※ AF 35-150mm F2-2.8 FE Specification Correction Notice

    We would like to inform you that we have updated the incorrect information in the specifications. Please refer to our website's 'NOTICE’ section for more detailed information.

  • MTF Chart 
  • Optional Construction 

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Samyang’s Guide to Achieving the Optimal Angle of View

The perfect spacing and distance are always necessary when shooting all kinds of subjects, including people, to give them a proper relationship with the beautiful space around them. So, what’s the exact distance that helps you best appreciate a work of art, or a photo?

The correct answer is the diagonal length of the full frame of a subject.

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The best standpoint from which to appreciate the full view of a subject is the distance of the diagonal length of the subject frame. This wider angle is superior to standing closer at a 50 degree angle to get a more detailed view. This notion of an ideal distance or view point is also applicable in the world of photography.

For still images, keeping a distance equal to the diagonal length of the full image surface is recommended. The full frame sensor of a digital camera is 36 x 24mm and the diagonal length is 43.26mm so any distance close to this number is nearer to the ideal than the currently accepted industry standard of 50mm.

Back when film cameras were common, 45mm was the industry standard and this continued as reflex cameras needed extra space to fit a mirror. However, as mirrorless cameras become more popular again, there has been a need to return to this industry standard…which is the impetus for the Samyang AF 45mm F1.8 FE. With less distortion than a 35mm lens and wider angles than a 55mm lens, the Samyang AF 45mm F1.8 FE is a perfect lens for portraits, landscapes, architecture photography, and pictures of pets.

What is Preset Aperture Control Function?

On the Preset Aperture Control function, the aperture blade operates smoothly like a "De-clicked lens", which is advantageous for video recording.
Fujifilm cameras are engineered to control the aperture according to the minimum exposure value(F-stop), so when the camera controls the aperture, it blinks momentarily to set the proper exposure.

AF 75mm F1.8 X intentionally disconnects the communication with the camera body and the lens itself on the Preset Aperture Control function, so it is possible to smoothly adjust the exposure without flickering. ISO and shutter speed are adjusted according to the changed exposure by controlling the aperture, so the exposure value can be changed even with the 1/2 F-stop.

What is Preset Aperture Control Function?

On the Preset Aperture Control function, the aperture blade operates smoothly like a "De-clicked lens", which is advantageous for video recording.
Fujifilm cameras are engineered to control the aperture according to the minimum exposure value(F-stop), so when the camera controls the aperture, it blinks momentarily to set the proper exposure.

AF 75mm F1.8 X intentionally disconnects the communication with the camera body and the lens itself on the Preset Aperture Control function, so it is possible to smoothly adjust the exposure without flickering. ISO and shutter speed are adjusted according to the changed exposure by controlling the aperture, so the exposure value can be changed even with the 1/2 F-stop.

What is Recommended Settings for Preset Aperture Control Function?

The Preset Aperture Control function operates only when shooting video(Movie mode) and the focusing mode of the camera is set to AF mode. Please set the aperture at f/1.8 before switching the "Custom Switch" to "Mode 2. It is recommended to set the "Exposure mode" as A mode (Aperture Priority AE) or M mode (Manual Exposure).

* How to use the “Preset Aperture Control” function?

1) Camera Body Setting
      AF Mode → Video Mode ('A' or 'M' mode) → Set the Aperture @F1.8
(2) Lens Setting
      Switch your "Custom Switch” to “Mode 2(M2)"
(3) Now, you're ready to use the Preset Aperture Control function with your focus ring

What is Recommended Settings for Preset Aperture Control Function?

The Preset Aperture Control function operates only when shooting video(Movie mode) and the focusing mode of the camera is set to AF mode. Please set the aperture at f/1.8 before switching the "Custom Switch" to "Mode 2. It is recommended to set the "Exposure mode" as A mode (Aperture Priority AE) or M mode (Manual Exposure).

* How to use the “Preset Aperture Control” function?

1) Camera Body Setting
      AF Mode → Video Mode ('A' or 'M' mode) → Set the Aperture @F1.8
(2) Lens Setting
      Switch your "Custom Switch” to “Mode 2(M2)"
(3) Now, you're ready to use the Preset Aperture Control function with your focus ring

[What is Dolly Shot? How to Shoot Easily]

[What is Dolly shot?]

A dolly shot, also referred to as a tracking shot or trucking shot, is a camera movement technique used by cinematographers to track and follow a subject in motion. To achieve this, the camera is mounted on a device called a "dolly," which facilitates smooth tracking movement. The dolly can move in front of, behind, or alongside the subject, which can be a person, a location, a product, or any other object of focus in the frame. Through this, you can control the emotional distance between the subject and the viewer by highlighting the audiovisual and dramatic effects.

[How to take a Dolly Shot simply by handheld]

Tip. If the moving distance is long, the camera may shake, so please shoot at a focal length between 35 and 100mm.
1. Stand at a distance of about 1.5 to 2 meters away from the subject.
2. Set the custom switch to MF and Mode 3 and adjust the focal length to about 100mm.
3. After focusing on the subject, set the aperture to F8~16.
4. Slowly turn the zoom ring to the left (towards the wide-angle end) while using your upper body and arms to move the camera toward your subject.
5. Dolly Shot complete!
※ When shooting from a farther distance from the subject, use a cart or gimbal for more stable shooting.

DSLR / Full Frame
1D X Mark Ⅱ
1D X
1Ds Mark Ⅲ
1Ds
5DsR
5Ds
5D Mark Ⅳ
5D Mark Ⅲ
6D Mark Ⅱ
6D
DSLR / APS-H
1D Mark Ⅲ
1D
Mirrorless / APS-C
M6
M5
M10
M3
M2
DSLR / APS-S
7D Mark Ⅱ
7D
80D
70D
60D
30D
D60
D30
77D (9000D)
760D (8000D / Rebel T6s)
1300D (Kiss X80 / Rebel T6)
1200D (Kiss X70 / Rebel T5)
200D (Kiss X9 / Rebel SL2)
800D (Kiss X9i / Rebel T7i)
700D (Kiss X9i / Rebel T7i)
100D (Kiss X7 / Rebel SL1)
650D (Kiss X6i / Rebel T4i)
600D (Kiss X5 / Rebel T3i)
550D (Kiss X4 / Rebel T2i)
500D (Kiss X3 / Rebel T1i)
1000D (Kiss F / Rebel XS)
450D (Kiss X2 / Rebel X냐)
DSLR / Full Frame
D850
D5
D810A
D4S
D810
D750
Df
D610
D4
D800
D800E
D600
D3s
D3x
D700
D3
DSLR / APS-C
D7500
D3400
D500
D5600
D7200
D5500
D3300
D7100
D5300
D5200
D7000
D300s
D300
DSLR / Full Frame
Z6
Z7
D810A
D4S
D750
D810A
DSLR / APS-C
D7200
D500
D3300
D5500
D5600
D3400
D7500

* Cameras released within 5 years from 2019 are tested.

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