PRODUCT

Your First

Cine Lens Set

VDSLR
14mm T3.1 MK2
24mm T1.5 MK2
35mm T1.5 MK2
50mm T1.5 MK2
85mm T1.5 MK2
135mm T2.2 MK2

VDSLR 50mm T1.5 MK2

Samyang is introducing a new VDSLR MK2 lineup, enhanced with weather sealing, focal lengths written on both sides, sleek design and 9 aperture blades. Inheriting the Samyang's incredible cinematic video quality, this pioneering cine lens series will continuosly help independent filmmakers and low-budget project directors to broaden their horizons of creativity as their first cine lens set.

작성자 Product Planner / Jeremy Shin
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Your First Cine Lens Set

The VDSLR MK2 set comprises 6 of the most-used focal lengths: 14mm T3.1, 24mm T1.5, 35mm T1.5, 50mm T1.5, 85mm T1.5 and 135mm T2.2. As well as delivering the beloved image quality and fast T-stop values of the existing VDSLR series, the new models now have weather sealing, 9 aperture blades and their focal lengths are visible on both sides for more professional use. The range is highly versatile, available in 7 camera mounts.
※ This product image is a Canon EF mount lens. Size and design may vary depending on the mount of a lens



  • Most Popular Focal Lengths
    in 7 Camera Mounts

    The new VDSLR MK2 range consists of 6 focal lengths: 14mm, 24mm, 35mm, 50mm, 85mm and 135mm. These angles are essential for any creative or commercial projects. All 6 lenses are available and fully compatible with 7 camera mounts: Canon EF, Sony E, Canon RF, Nikon F, Canon M, Fuji X and MFT. They are suitable for both DSLR and mirrorless systems and ready to support all types of filmmakers around the globe.

  • Compact Size with Long Focus Throw and De-Clicked Aperture Ring

    The compact size of Samyang's VDSLR lenses makes them perfect for hand-held and gimbal shooting. The VDSLR 50mm T1.5 MK2 is only 7.47cm (2.94") in length and weighs just 525.8g (1.16lb), but it is fully-featured with de-clicked aperture and focus gear rings. The long focus throw of over 130° enables cinematographers to focus precisely and exactly on their subjects, creating a more professional feel to video footage than with autofocus photo lenses.

  • Cinematic Video Quality,
    Covering Full Frame Sensor Size

    In contrast to their compact size, the VDSLR MK2 lenses cover full-frame sensors (36x24mm) and are ready for the high-quality video making environment. This new series inherits the outstanding image quality of the previous series: All 6 lenses have special glass element such as ASP or ED lens to reduce spherical and optical aberration, producing clear and vibrant images. The 14mm and the 50mm model also have a hybrid aspherical lens element to maintain compact size, without compromising performance.

  • Fast T1.5 for Low-Light Situations

    For independent filmmakers, a versatile lens saves time and budget. The Samyang VDSLR MK2 series has fast T1.5 apertures across almost every 6 models, supporting filmmakers and allowing them to concentrate more on the scene and creativity, without having to concern themselves about image quality, even in low-light situations. Also, the shallow depth of field available blurs out the background and highlights the subject, adding depth to the story.


  • New: 9 Aperture Blades for Exceptional Bokeh and Starburst Effect

    The new VDSLR MK2 series has been updated with 9 aperture blades and is able to deliver the latest image trends. The smooth and circular bokeh adds a three dimensional quality and pleasing out-of-focus effect. 18-ray starburst highlights can also be created by stopping down to small apertures.


  • New: Weather Sealing

    As requested by many users, the MK2 series now includes a weather-sealing feature. This protects the most vulnerable gap between the lens and camera mount, to prevent dust, light rain and snow from penetrating. It provides the ability to capture stunning images in less than perfect conditions.
    ※ Nikon F mount has no weather sealing


  • New: Updated Design with Side Scales

    The Samyang VDSLR MK2 models have a sleek new design; black and matte finish boosts usability and professionalism on the set. They are lightweight but sturdy and fully equipped for numerous projects. The distance scales are readable from both sides, as are the focal lengths. These features support focus pullers and assistant cinematographers to operate more intuitively.

Technical Information
  • Product VDSLR 14mm T3.1 MK2 VDSLR 24mm T1.5 MK2 VDSLR 35mm T1.5 MK2 VDSLR 50mm T1.5 MK2 VDSLR 85mm T1.5 MK2 VDSLR 135mm T2.2 MK2
    Maximum T-stop T3.1 T1.5 T1.5 T1.5 T1.5 T2.2
    Optical Construction 14 Elements in 10 Groups 13 Elements in 12 Groups 12 Elements in 10 Groups 9 Elements in 6 Groups 9 Elements in 7 Groups 11 Elements in 7 Groups
    Negative size 24 x 36 mm 24 x 36 mm 24 x 36 mm 24 x 36 mm 24 x 36 mm 24 x 36 mm
    Angle of View Full Frame(1:1x) 115.7° 84.1° 63.1° 46.2° 28.4° 18.8°
    Super 35 98.4° 65.3° 47.1° 33.7° 20.6° 13.6°
    APS-C (1:1.5x) 92.5° 61.3° 43.9° 31.3° 19.1° 12.6°
    APS-C (1:1.6x) 89.1° 58.0° 41.3° 29.4° 17.9° 11.7°
    MFT (1:2x) 72.7° 47.6° 33.4° 23.6° 14.4° 9.0°
    Minimum Focusing Distance (∞ ~) 0.28 m 0.92 ft 0.25 m 0.82 ft 0.3 m 0.98 ft 0.45m 1.47 ft 1.1 m 3.6 ft 0.8 m 2.62 ft
    Filter Size (mm) (Not detachable) 77 77 77 72 77
    Diaphragm Blades 9 9 9 9 9 9
    Angle Focus Angle 139° 139° 146° 150° 140° 195°
    Aperture Angle Nikon F 45° 48° 48° 48° 48° 52.5°
    Others 36° 49°
    Weather Sealing Nikon F X X X X X X
    Others O O O O O O
    Size Canon EF 87.0 x 96.1 mm 3.42 x 3.78 in 84.0 x 97.1 mm 3.31 x 3.82 in 84.0 x 111.5 mm 3.31 x 4.39 in 84.0 x 74.7 mm 3.31 x 2.94 in 84.0 x 74.7 mm 3.31 x 2.94 in 84.0 x 122.1 mm 3.31 x 4.81 in
    Sony E 87.0 x 122.1 mm 3.42 x 4.80 in 84.0 x 123.1 mm 3.31 x 4.85 in 84.0 x 137.5 mm 3.31 x 5.41 in 84.0 x 100.7 mm 3.31 x 3.96 in 84.0 x 100.7 mm 3.31 x 3.96 in 84.0 x 148.1 mm 3.31 x 5.83 in
    Canon RF 87.0 x 121.1 mm 3.42 x 4.76 in 84.0 x 121.1 mm 3.31 x 4.77 in 84.0 x 135.5 mm 3.31 x 5.33 in 84.0 x 98.7 mm 3.31 x 3.89 in 84.0 x 98.7 mm 3.31 x 3.89 in 84.0 x 146.1 mm 3.31 x 5.75 in
    Nikon F 87.0 x 93.6 mm 3.42 x 3.68 in 84.0 x 94.6 mm 3.31 x 3.72 in 84.0 x 109.0 mm 3.31 x 4.29 in 84.0 x 72.2 mm 3.31 x 3.63 in 84.0 x 72.2 mm 3.31 x 3.63 in 84.0 x 119.6 mm 3.31 x 4.71 in
    Canon M 87.0 x 123.0 mm 3.42 x 4.84 in 84.0 x 123.0 mm 3.31 x 4.84 in 84.0 x 137.4 mm 3.31 x 5.41 in 84.0 x 100.6 mm 3.31 x 3.96 in 84.0 x 100.6 mm 3.31 x 3.96 in 84.0 x 148.0 mm 3.31 x 5.83 in
    Fuji X 87.0 x 123.4 mm 3.42 x 4.85 in 84.0 x 123.4 mm 3.31 x 4.86 in 84.0 x 137.8 mm 3.31 x 5.43 in 84.0 x 101.0 mm 3.31 x 3.98 in 84.0 x 101.0 mm 3.31 x 3.98 in 84.0 x 148.4 mm 3.31 x 5.84 in
    MFT 87.0 x 120.9 mm 3.42 x 4.75 in 84.0 x 121.9 mm 3.31 x 4.80 in 84.0 x 136.3 mm 3.31 x 5.38 in 84.0 x 99.5 mm 3.31 x 3.92 in 84.0 x 99.5 mm 3.31 x 3.92 in 84.0 x 146.9 mm 3.31 x 5.78 in
    Weight Canon EF 650.2 g 1.43 lb 597.8 g 1.32 lb 738.0 g 1.63 lb 525.8 g 1.16 lb 561.6 g 1.24 lb 866.4 g 1.91 lb
    Sony E 711.2 g 1.56 lb 649.0 g 1.43 lb 789.2 g 1.74 lb 576.4 g 1.27 lb 612.4 g 1.35 lb 918.2 g 2.02 lb
    Canon RF 746.4 g 1.64 lb 662.6 g 1.46 lb 802.8 g 1.77 lb 590.6 g 1.30 lb 626.4 g 1.38 lb 960.2g 2.12 lb
    Nikon F 639.6 g 1.41 lb 587.0 g 1.29 lb 723.8 g 1.60 lb 514.8 g 1.13 lb 549.2 g 1.21 lb 850.4 g 1.87 lb
    Canon M 696.4 g 1.53 lb 642.0 g 1.42 lb 778.6 g 1.72 lb 569.4 g 1.26 lb 606.0 g 1.34 lb 913.2 g 2.01 lb
    Fuji X 697.4 g 1.53 lb 640.0 g 1.41 lb 776.0 g 1.71 lb 567.4 g 1.25 lb 603.0 g 1.33 lb 912.0 g 2.01 lb
    MFT 692.8 g 1.52 lb 636.0 g 1.40 lb 772.6 g 1.70 lb 563.8 g 1.24 lb 600.0 g 1.32 lb 908.4 g 2.00 lb
  • Gear Ring
    Position
    Module A B C D Focus
    Diameter
    Aperture Diameter
    Canon EF Sony E Canon RF Nikon F Canon M Fuji X MFT Canon EF Others
    Length 0.8 mm 10 mm 4 mm 46.8 mm 10.5 mm 36.5 mm 34.5 mm 8 mm 36.2 mm 36.8 mm 35.3 mm 73.6 mm 70.4 mm 73.6 mm
  • VDSLR 14mm T3.1 MK2
    MTF CHART
     


  • VDSLR 24mm T1.5 MK2
    MTF CHART
     


  • VDSLR 35mm T1.5 MK2
    MTF CHART
      


  • VDSLR 50mm T1.5 MK2
    MTF CHART
      


  • VDSLR 85mm T1.5 MK2
    MTF CHART
      

  • VDSLR 135mm T2.2 MK2
    MTF CHART
      


  • VDSLR 14mm T3.1 MK2
    Optical Construction
      


  • VDSLR 24mm T1.5 MK2
    Optical Construction
      
  • VDSLR 35mm T1.5 MK2
    Optical Construction
      
  • VDSLR 50mm T1.5 MK2
    Optical Construction
      
  • VDSLR 85mm T1.5 MK2
    Optical Construction
      

  • VDSLR 135mm T2.2 MK2
    Optical Construction
      

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Samyang’s Guide to Achieving the Optimal Angle of View

The perfect spacing and distance are always necessary when shooting all kinds of subjects, including people, to give them a proper relationship with the beautiful space around them. So, what’s the exact distance that helps you best appreciate a work of art, or a photo?

The correct answer is the diagonal length of the full frame of a subject.

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표준화각 자료 이미지

The best standpoint from which to appreciate the full view of a subject is the distance of the diagonal length of the subject frame. This wider angle is superior to standing closer at a 50 degree angle to get a more detailed view. This notion of an ideal distance or view point is also applicable in the world of photography.

For still images, keeping a distance equal to the diagonal length of the full image surface is recommended. The full frame sensor of a digital camera is 36 x 24mm and the diagonal length is 43.26mm so any distance close to this number is nearer to the ideal than the currently accepted industry standard of 50mm.

Back when film cameras were common, 45mm was the industry standard and this continued as reflex cameras needed extra space to fit a mirror. However, as mirrorless cameras become more popular again, there has been a need to return to this industry standard…which is the impetus for the Samyang AF 45mm F1.8 FE. With less distortion than a 35mm lens and wider angles than a 55mm lens, the Samyang AF 45mm F1.8 FE is a perfect lens for portraits, landscapes, architecture photography, and pictures of pets.

What is Preset Aperture Control Function?

On the Preset Aperture Control function, the aperture blade operates smoothly like a "De-clicked lens", which is advantageous for video recording.
Fujifilm cameras are engineered to control the aperture according to the minimum exposure value(F-stop), so when the camera controls the aperture, it blinks momentarily to set the proper exposure.

AF 75mm F1.8 X intentionally disconnects the communication with the camera body and the lens itself on the Preset Aperture Control function, so it is possible to smoothly adjust the exposure without flickering. ISO and shutter speed are adjusted according to the changed exposure by controlling the aperture, so the exposure value can be changed even with the 1/2 F-stop.

What is Preset Aperture Control Function?

On the Preset Aperture Control function, the aperture blade operates smoothly like a "De-clicked lens", which is advantageous for video recording.
Fujifilm cameras are engineered to control the aperture according to the minimum exposure value(F-stop), so when the camera controls the aperture, it blinks momentarily to set the proper exposure.

AF 75mm F1.8 X intentionally disconnects the communication with the camera body and the lens itself on the Preset Aperture Control function, so it is possible to smoothly adjust the exposure without flickering. ISO and shutter speed are adjusted according to the changed exposure by controlling the aperture, so the exposure value can be changed even with the 1/2 F-stop.

What is Recommended Settings for Preset Aperture Control Function?

The Preset Aperture Control function operates only when shooting video(Movie mode) and the focusing mode of the camera is set to AF mode. Please set the aperture at f/1.8 before switching the "Custom Switch" to "Mode 2. It is recommended to set the "Exposure mode" as A mode (Aperture Priority AE) or M mode (Manual Exposure).

* How to use the “Preset Aperture Control” function?

1) Camera Body Setting
      AF Mode → Video Mode ('A' or 'M' mode) → Set the Aperture @F1.8
(2) Lens Setting
      Switch your "Custom Switch” to “Mode 2(M2)"
(3) Now, you're ready to use the Preset Aperture Control function with your focus ring

What is Recommended Settings for Preset Aperture Control Function?

The Preset Aperture Control function operates only when shooting video(Movie mode) and the focusing mode of the camera is set to AF mode. Please set the aperture at f/1.8 before switching the "Custom Switch" to "Mode 2. It is recommended to set the "Exposure mode" as A mode (Aperture Priority AE) or M mode (Manual Exposure).

* How to use the “Preset Aperture Control” function?

1) Camera Body Setting
      AF Mode → Video Mode ('A' or 'M' mode) → Set the Aperture @F1.8
(2) Lens Setting
      Switch your "Custom Switch” to “Mode 2(M2)"
(3) Now, you're ready to use the Preset Aperture Control function with your focus ring

[What is Dolly Shot? How to Shoot Easily]

[What is Dolly shot?]

A dolly shot, also referred to as a tracking shot or trucking shot, is a camera movement technique used by cinematographers to track and follow a subject in motion. To achieve this, the camera is mounted on a device called a "dolly," which facilitates smooth tracking movement. The dolly can move in front of, behind, or alongside the subject, which can be a person, a location, a product, or any other object of focus in the frame. Through this, you can control the emotional distance between the subject and the viewer by highlighting the audiovisual and dramatic effects.

[How to take a Dolly Shot simply by handheld]

Tip. If the moving distance is long, the camera may shake, so please shoot at a focal length between 35 and 100mm.
1. Stand at a distance of about 1.5 to 2 meters away from the subject.
2. Set the custom switch to MF and Mode 3 and adjust the focal length to about 100mm.
3. After focusing on the subject, set the aperture to F8~16.
4. Slowly turn the zoom ring to the left (towards the wide-angle end) while using your upper body and arms to move the camera toward your subject.
5. Dolly Shot complete!
※ When shooting from a farther distance from the subject, use a cart or gimbal for more stable shooting.

DSLR / Full Frame
1D X Mark Ⅱ
1D X
1Ds Mark Ⅲ
1Ds
5DsR
5Ds
5D Mark Ⅳ
5D Mark Ⅲ
6D Mark Ⅱ
6D
DSLR / APS-H
1D Mark Ⅲ
1D
Mirrorless / APS-C
M6
M5
M10
M3
M2
DSLR / APS-S
7D Mark Ⅱ
7D
80D
70D
60D
30D
D60
D30
77D (9000D)
760D (8000D / Rebel T6s)
1300D (Kiss X80 / Rebel T6)
1200D (Kiss X70 / Rebel T5)
200D (Kiss X9 / Rebel SL2)
800D (Kiss X9i / Rebel T7i)
700D (Kiss X9i / Rebel T7i)
100D (Kiss X7 / Rebel SL1)
650D (Kiss X6i / Rebel T4i)
600D (Kiss X5 / Rebel T3i)
550D (Kiss X4 / Rebel T2i)
500D (Kiss X3 / Rebel T1i)
1000D (Kiss F / Rebel XS)
450D (Kiss X2 / Rebel X냐)
DSLR / Full Frame
D850
D5
D810A
D4S
D810
D750
Df
D610
D4
D800
D800E
D600
D3s
D3x
D700
D3
DSLR / APS-C
D7500
D3400
D500
D5600
D7200
D5500
D3300
D7100
D5300
D5200
D7000
D300s
D300
DSLR / Full Frame
Z6
Z7
D810A
D4S
D750
D810A
DSLR / APS-C
D7200
D500
D3300
D5500
D5600
D3400
D7500

* Cameras released within 5 years from 2019 are tested.

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